The Begger separated from the bottom of empathy in community lifeAffandi's paintings featuring the figure of a beggar is a manifestation of the achievement of a strong personal style. Through ekpresionisme, he melts with the object-object together with the empathy to grow through the process of observation and deepening. Having empathy cook it into energy, it happens in the casting process like a burst of mountain paintings lavanya complete turmoil. In any expression, in addition to the lines of energy raises the overflow lukisanya also record the thrill in the world bathinnya appreciation. In this painting looks frail figure of the beggar who sat waiting for compensation from passersby. Depictions of the body stooped over tendrils flowing lines, emphasizing the suffering expression panhandlers. Dark brown color that builds bodies, as well as accentuating the color of greenish-yellow color as the background, increasingly gloomy atmosphere that is built up to sharpen the overall expression.
But there was gloom, vitality remains strong life can be read through the scratches that describes the motion of some other figures. In the configuration of these objects, dynamic composition. Dynamics were also enriched with spontaneous strokes and textural effects of the rough from plototan paint tubes that produce the power of expression.
Options figure of a beggar as the objects in the painting can not be separated from the bottom of empathy in community life. Fan Affandi was a mawkish, at once full of life adventurer vitalitas.Objek-trashy and common objects always mengguha empathy. Therefore, he is often referred to as a humanist in his art. In various statements and his paintings, he often menggungkapkan that the sun, hands and feet is the symbol of life. The sun is a manifestation of the spirit of life. Hand shows the attitude that hard work and to realize all his ideas. Untkapan feet is symbolic of the motivation to continue to move forward in life. Symbols is indeed the crystallization of life experiences and attitudes Affandi, and process art travel the hard and long. Through the figure of a beggar in this painting, the crystallization of hard life experience and empathy for the suffering that may be unreadable