A.D Pirous Painting in Amparan Roof of Heaven and Earth

A.D Pirous Painting in Amparan Roof of Heaven and Earth A.D Pirous Painting in Amparan Roof of Heaven and Earth

A.D. Pirous known for his works that having Islamic. Construction of expression in painting through the structure of the fields with background colors that emit a variety of imaginative characters. With the principle of preparation, the painter is very strong sensibility to the composition and the understanding that the various characters of color. A spiritual breath when it comes up in a bright color images, while others can be serene in a dim color, something can also appear in the wealth of vibrant color. Acehnese ethnic decorative touches, which includes ornament ornament or motif-Buraq, also provides an Islamic sociocultural breath in his paintings. As a key summit of spiritual breath, it is accentuated melafaskan Arabic calligraphy verses of the Holy Qur'an.

In the painting "Amparan open to the sky and Earth" (Surat al-Baqara: 22a), this 1990, Pirous also brings a touch of spirituality. Ultramarine blue background brings a depth image of an infinite cosmos. At the top, sticking out part of the pieces of ocher which imaged a mass of sky. Below, two white field with Qur'anic calligraphy erect a solid foundation for the image of the earth. Among the images of the heavens and the earth were of a similar white line dividing the light vertically through the depth of the cosmos. With a variety of characters that can be read through a textual phenomenon, hence a similar line of light, it can be interpreted as the divine light that connects the heavens and the earth. In other paintings, the artist often build a natural atmosphere to provide a strong background related to the verses of Koran in his paintings. Through fields of preparation, space, and particular colors, the mood in the paintings may reflect the dim twilight, clear morning, or night is serene. Thus we can say that Pirous also managed to develop a symbolic abstract paintings. All the exploitation of ideas, mediums, and those technical finally put Pirous not just as a painter calligraphy reliable, but further reinforces Islamic spiritual accomplishments as a painter